Archive | JAR

Issue: 21 Read full editorial and browse issue

Breathing into the Ecological Trauma: The Case of Gruinard Island

Christoph Solstreif-Pirker

(post)-anthropocene, ecological trauma, non-philosophy, environmental ethics, performative research, site responsive practices, scotland, biological warfare, psychoanalysis, bioethics, walking art

Everything That Shines Sees: Flash Light, Photography and the Acheiropoietic

Dominique Somers

photography, artistic research, light, media archaeology, media theory

Interrogating the notion of 'frock consciousness' through the practice of dressing and responding to dressed bodies

Jennifer Anyan

fashion practice research, dress, embodiment, frock consciousness, affect, autoethnography

Walking the Newsroom: Towards a Sensory Experience of Journalism

Sander Hölsgens, Saskia de Wildt, Tamara Witschge

atmospheres, journalism, experience, deep map, Architecture, drawing, newsroom design, artistic methods

Walking with Soldiers: How I learned to stop worrying and love the cadets

Susanna Hast

military training, affect, autoethnography, walking, marching, sound, body, gender, pleasure, march

Issue: 20 Read full editorial and browse issue

***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition

Paul Norman

structure, music, Composition, composer as performer, concept, conceptual work, process, structure, reading as composition

A Porous Consciousness in and as Artistic Practice: Re-engaging with classical Indian philosophy and aesthetics as a living tradition

Srisrividhiya Kalyanasundaram

creative process, porosity, porous self, artist, transience, permeability, relationship, creativity, identity, engagement, consciousness, environment, Nature, ecological consciousness, creative process

Composition as Commentary: Voice and Poetry in Electroacoustic Music

Edmund Hunt

Composition, contemporary music, electroacoustic music, voice, voice and electronics, composition process, composition as research, Old English, Literature, vocality

Exploring the Efficiency of Artistic Practices within the Context of their Interaction

Andrew Miller

phenomenology, artistic, artistic practices, enactive cognition

The Missing Page: Place as Palimpsest and ‘Foil’

Jeremy Bubb

ethnography, Palimpsest, defamiliarization, sound, slow cinema

Issue: 19 Read full editorial and browse issue

Digitally Produced Jewellery: Tactile Qualities of a Digital Touch

Sofia Hallik and Darja Popolitova

contemporary jewellery, tactility, digital technologies, digitally produced jewellery, artistic experience, digital self, digital representation of jewellery, 3D printing

Memory as a Method for Filmmaking

Emilio Angel Reyes Bassail

Memory, filmmaking, methodology, education, Remembering, forgetting, Time, narrative, film, experimental

Site-integrity: a dynamic exchange between site, artist, device and audience

Julie Marsh

site-integrity, collaboration, phenomenology, Space, Place, site specific artwork

Sounding Out Vacancy: Performing (anything but) Empty Space

Julieanna Preston

sound, surface, Performance, materiality, interior

Study of/as Commoning

Anette Baldauf, Vladimir Miller, Annette Krauss, Mara Verlic, Moira Hille, Hong-Kai Wang, Mihret Kebede Alwabie, Julia Wieger, Tesfaye Beri Bekele, Stefan Gruber

commons, study, methodology, decolonial

Issue: 18 Read full editorial and browse issue

50 Billion Micrograms. In the Search of the Aftermath of an Event

Christine Hansen

photography, Memory, site, fluctuating thinking, science fiction

Choreo-graphic Figures: Scoring Aesthetic Encounters

Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius, Simona Koch

collaboration, score, process, figuring, wit(h)nessing

Passages of Light: Analogue and Digital Moving Image Installation.

Alexander Nevill

Moving Image, cinematography, Installation, video art, media archaeology

Translucent surface/Quiet body, redistributed

Katrina Brown

choreography, drawing, flatbed picture plane, haptic visuality, surface dimension

What can a process do? A passage from ritual to rituality

Usoa Fullaondo

affect, Animal, rituality, landscape, creative process

Issue: 17 Read full editorial and browse issue

Additive Photography

Ives Maes

sculpture, photography, Installation, photosculpture, historically informed photography, 3D printing, 3D scanning, panorama

Building Material Conversations

Scott Andrew Elliott, Chris Cottrell

installation art, New Materialism, architectural research, collaboration, experimental writing

FanFutures

Kate McCallum, Kate Monson, Majed Al-Jefri

AI, natural language processing, actor network theory, New Materialism, future, environment, fanfiction

IN SITU: Sonic Greenhouse. Composing for the intersections between the sonic and the built

Otso Tapio Lähdeoja, Josué Moreno Prieto, Daniel Adrian Malpica Gomez

sound art, Architecture, greenhouse, Composition

The Body + The Lens: Shrink, Wax, Purge, Bleach.

Tyler Payne

feminist art, parasocial interaction theory, carnal sociology, commodity fetishizm, commercial photography, media studies, feminist media studies, the male gaze, feminist epistemology, the female gaze

Issue: 16 Read full editorial and browse issue

Anarchiving (in) Ben Patterson's Variations for Double-Bass

Christopher Williams

Anarchive, Experimental Music, Fluxus, improvisation, notation, Process Philosophy

Between Agony and Ecstasy: Investigations into the Meaning of Pain

Barbara Macek

Literature, medicine, Observation, pain, poetics, poetry, psychology, visual art

Responsive Aesthetics: Remediating Digital-to-Analog Television Converters as Artist Tools

Eric Souther, Laura McGough, Jason Bernagozzi

Datamoshing, experimental systems, instrument design, media history, reanimation, signal processing, technology, time based media

The Red Shoes Project Revisited

Lise Hovik

affect, children, interdisciplinary performance, performing arts for children, theatre for early years, theatre installation

Vocal Nest – non-verbal atmospheres that matter

Heidi Marika Fast

non-verbal, psychiatry, sensate knowledge, sound art, voice

Issue: 15 Read full editorial and browse issue

Can a drawing be rehearsed?

William Platz

artist's model, drawing, life drawing, Performance, performance drawing, rehearsal

Exploring the Principles of Allodoxic Art (in dialogue with Baroness Elsa)

Jenny Brown

activism, allodoxia, allodoxic art, Baroness Elsa, socio-politically engaged art

How to use gay Nazis in job interviews: Queer Media, Striptease-Lectures and the Art of Existential Sodomism

Alexandros Papadopoulos

austerity, dramaturgy, Performance, polymedia, queer, queer media, social media

Only the Envelope: Artistic Interpretations of Eye-tracking Imagery

Vahri McKenzie, Neil K Ferguson

Data retention, eye-tracking, performance of science, re-enactment art, surveillance, the gaze

The Document as Music, Exploring the Musicality of Verbatim Material in Performance

David Roesner, Bella Merlin

documentary, generations, musicality, persona, verbatim

Issue: 14 Read full editorial and browse issue

Stop and Go: Nodes of Transformation and Transition

Michael Zinganel and Michael Hieslmair

animation, anthropology, graphic novel, mapping, migration, mobility, rhythm, urban space

Systems of Pain/Networks of Resilience (First Compilation)

Meghan Moe Beitiks

Ecology, interviews, Meghan Moe Beitiks, networks, pain, recovery, resilience, sustainability, systems, trauma, video

The Salford Samples

Joanne Scott

cultural memory, intermediality, place-attachment, Salford, solastalgia, urban regeneration

Trigger Place – A game of sound and architecture

Matilde Meireles and Diogo Alvim

Architecture, Belfast, brass ensemble, Krasinkski, Lucier, Place, sound, squash, video projection

‘Exorcising Unhomely Street: Filmic Intuition and the Representation of Post-concussive Syndrome’

Susannah Gent

art practice, Damasio, experimental, film-making, Freud, neuroaesthetics, subjective

Issue: 13 Read full editorial and browse issue

Copy, tweak, paste: methods of appropriation in re-enacted artists' books

Rob van Leijsen

appropriation, artist’s book, editorial design, facsimile, publishing, reenactment, reprint

Creative Practices and Public Engagement

Daša Spasojevic, Ana Souto Galvan

changing roles, co-creation, engagement, methodology, public space

If film is a language, can birds make movies? An essay and two heretical descriptive systems

Tim Ridlen

cinema, epistemology, ethnology, linguistics, video

Talking Field: Listening to the Troubled Site

Budhaditya Chattopadhyay

Anthropocene, digital mediation, field-recording, phonography, post-digital, site, site-specificity, sound art, spacialization

This exhibition is an Island

Kit Hammonds

curating, Exhibition, fiction-based research, narrative, science fiction, visual art

Issue: 12 Read full editorial and browse issue

ANCHORAGE: a phenomenology of outline

Joe Graham, Steven Dickie and Chantal Faust

drawing, drawing research, phenomenology, variational practice

cONcErn: towards a 'mesology' of art, for art, and through art

Cécile Colle and Ralf Nuhn

artwork storage, conceptual art, host spaces, mesology, parasite

Haunted by last season's video letters, amateur films performing spectrality

Lisa Stuckey

amateur film-making, artist-as-analyst, critical mapping, migration, spectrality, USA-Europe, video letters

Moving through the double vortex

Jan Schacher and Patrick Neff

corporeality, dance, interdependence, second-order artefact

Rudimentariness: a concept for artistic research

Anik Fournier

ceramics, movement, para-practice, rudimentariness, sensate thinking, touch

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