***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition
***CLICK FOR MORE INFORMATION*** reading as performance / reading as composition
Paul Norman
structure, music, Composition, composer as performer, concept, conceptual work, process, structure, reading as composition
A Porous Consciousness in and as Artistic Practice
A Porous Consciousness in and as Artistic Practice: Re-engaging with classical Indian philosophy and aesthetics as a living tradition
Srisrividhiya Kalyanasundaram
creative process, porosity, porous self, artist, transience, permeability, relationship, creativity, identity, engagement, consciousness, environment, Nature, ecological consciousness, creative process
Composition as Commentary: Voice and Poetry in Electroacoustic Music
Composition as Commentary: Voice and Poetry in Electroacoustic Music
Edmund Hunt
Composition, contemporary music, electroacoustic music, voice, voice and electronics, composition process, composition as research, Old English, Literature, vocality
Exploring the Efficiency of Artistic Practices within the Context of their Interaction
Exploring the Efficiency of Artistic Practices within the Context of their Interaction
Andrew Miller
phenomenology, artistic, artistic practices, enactive cognition
The Missing Page: Place as Palimpsest and ‘Foil’
The Missing Page: Place as Palimpsest and ‘Foil’
Jeremy Bubb
ethnography, Palimpsest, defamiliarization, sound, slow cinema
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Digitally Produced Jewellery: Tactile Qualities of a Digital Touch
Sofia Hallik and Darja Popolitova
contemporary jewellery, tactility, digital technologies, digitally produced jewellery, artistic experience, digital self, digital representation of jewellery, 3D printing
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Memory as a Method for Filmmaking
Emilio Angel Reyes Bassail
Memory, filmmaking, methodology, education, Remembering, forgetting, Time, narrative, film, experimental
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Site-integrity: a dynamic exchange between site, artist, device and audience
Julie Marsh
site-integrity, collaboration, phenomenology, Space, Place, site specific artwork
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Sounding Out Vacancy: Performing (anything but) Empty Space
Julieanna Preston
sound, surface, Performance, materiality, interior
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Study of/as Commoning
Anette Baldauf, Vladimir Miller, Annette Krauss, Mara Verlic, Moira Hille, Hong-Kai Wang, Mihret Kebede Alwabie, Julia Wieger, Tesfaye Beri Bekele, Stefan Gruber
commons, study, methodology, decolonial
50 Billion Micrograms. In the Search of the Aftermath of an Event
50 Billion Micrograms. In the Search of the Aftermath of an Event
Christine Hansen
photography, Memory, site, fluctuating thinking, science fiction
Choreo-graphic Figures: Scoring Aesthetic Encounters
Choreo-graphic Figures: Scoring Aesthetic Encounters
Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius, Simona Koch
collaboration, score, process, figuring, wit(h)nessing
Passages of Light: Analogue and Digital Moving Image Installation.
Passages of Light: Analogue and Digital Moving Image Installation.
Alexander Nevill
Moving Image, cinematography, Installation, video art, media archaeology
Translucent surface/Quiet body, redistributed
Translucent surface/Quiet body, redistributed
Katrina Brown
choreography, drawing, flatbed picture plane, haptic visuality, surface dimension
What can a process do? A passage from ritual to rituality
What can a process do? A passage from ritual to rituality
Usoa Fullaondo
affect, Animal, rituality, landscape, creative process
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Additive Photography
Ives Maes
sculpture, photography, Installation, photosculpture, historically informed photography, 3D printing, 3D scanning, panorama
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Building Material Conversations
Scott Andrew Elliott, Chris Cottrell
installation art, New Materialism, architectural research, collaboration, experimental writing
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FanFutures
Kate McCallum, Kate Monson, Majed Al-Jefri
AI, natural language processing, actor network theory, New Materialism, future, environment, fanfiction
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IN SITU: Sonic Greenhouse. Composing for the intersections between the sonic and the built
Otso Tapio Lähdeoja, Josué Moreno Prieto, Daniel Adrian Malpica Gomez
sound art, Architecture, greenhouse, Composition
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The Body + The Lens: Shrink, Wax, Purge, Bleach.
Tyler Payne
feminist art, parasocial interaction theory, carnal sociology, commodity fetishizm, commercial photography, media studies, feminist media studies, the male gaze, feminist epistemology, the female gaze
Anarchiving (in) Ben Patterson's Variations for Double-Bass
Christopher Williams
Anarchive, Experimental Music, Fluxus, improvisation, notation, Process Philosophy
Between Agony and Ecstasy: Investigations into the Meaning of Pain
Barbara Macek
Literature, medicine, Observation, pain, poetics, poetry, psychology, visual art
Responsive Aesthetics: Remediating Digital-to-Analog Television Converters as Artist Tools
Eric Souther, Laura McGough, Jason Bernagozzi
Datamoshing, experimental systems, instrument design, media history, reanimation, signal processing, technology, time based media
The Red Shoes Project Revisited
Lise Hovik
affect, children, interdisciplinary performance, performing arts for children, theatre for early years, theatre installation
Vocal Nest – non-verbal atmospheres that matter
Heidi Marika Fast
non-verbal, psychiatry, sensate knowledge, sound art, voice
Can a drawing be rehearsed?
William Platz
artist's model, drawing, life drawing, Performance, performance drawing, rehearsal
Exploring the Principles of Allodoxic Art (in dialogue with Baroness Elsa)
Exploring the Principles of Allodoxic Art (in dialogue with Baroness Elsa)
Jenny Brown
activism, allodoxia, allodoxic art, Baroness Elsa, socio-politically engaged art
How to use gay Nazis in job interviews: Queer Media, Striptease-Lectures and the Art of Existential Sodomism
How to use gay Nazis in job interviews: Queer Media, Striptease-Lectures and the Art of Existential Sodomism
Alexandros Papadopoulos
austerity, dramaturgy, Performance, polymedia, queer, queer media, social media
Only the Envelope: Artistic Interpretations of Eye-tracking Imagery
Vahri McKenzie, Neil K Ferguson
Data retention, eye-tracking, performance of science, re-enactment art, surveillance, the gaze
The Document as Music, Exploring the Musicality of Verbatim Material in Performance
David Roesner, Bella Merlin
documentary, generations, musicality, persona, verbatim
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Stop and Go: Nodes of Transformation and Transition
Michael Zinganel and Michael Hieslmair
animation, anthropology, graphic novel, mapping, migration, mobility, rhythm, urban space
Beitiks
Systems of Pain/Networks of Resilience (First Compilation)
Meghan Moe Beitiks
Ecology, interviews, Meghan Moe Beitiks, networks, pain, recovery, resilience, sustainability, systems, trauma, video
The Cliff
The Salford Samples
Joanne Scott
cultural memory, intermediality, place-attachment, Salford, solastalgia, urban regeneration
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Trigger Place – A game of sound and architecture
Matilde Meireles and Diogo Alvim
Architecture, Belfast, brass ensemble, Krasinkski, Lucier, Place, sound, squash, video projection
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‘Exorcising Unhomely Street: Filmic Intuition and the Representation of Post-concussive Syndrome’
Susannah Gent
art practice, Damasio, experimental, film-making, Freud, neuroaesthetics, subjective
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Copy, tweak, paste: methods of appropriation in re-enacted artists' books
Rob van Leijsen
appropriation, artist’s book, editorial design, facsimile, publishing, reenactment, reprint
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Creative Practices and Public Engagement
Daša Spasojevic, Ana Souto Galvan
changing roles, co-creation, engagement, methodology, public space
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If film is a language, can birds make movies? An essay and two heretical descriptive systems
Tim Ridlen
cinema, epistemology, ethnology, linguistics, video
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Talking Field: Listening to the Troubled Site
Budhaditya Chattopadhyay
Anthropocene, digital mediation, field-recording, phonography, post-digital, site, site-specificity, sound art, spacialization
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This exhibition is an Island
Kit Hammonds
curating, Exhibition, fiction-based research, narrative, science fiction, visual art
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ANCHORAGE: a phenomenology of outline
Joe Graham, Steven Dickie and Chantal Faust
drawing, drawing research, phenomenology, variational practice
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cONcErn: towards a 'mesology' of art, for art, and through art
Cécile Colle and Ralf Nuhn
artwork storage, conceptual art, host spaces, mesology, parasite
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Haunted by last season's video letters, amateur films performing spectrality
Lisa Stuckey
amateur film-making, artist-as-analyst, critical mapping, migration, spectrality, USA-Europe, video letters
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Moving through the double vortex
Jan Schacher and Patrick Neff
corporeality, dance, interdependence, second-order artefact
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Rudimentariness: a concept for artistic research
Anik Fournier
ceramics, movement, para-practice, rudimentariness, sensate thinking, touch
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Information for foreigners: chronicles from Kashmir
Nandita Dinesh
affect, balance, fragmented narratives, immersive theatre, Kashmir, site-sensitive performance, Theatre war
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The Rembrant Search Party
Jean-Marie Clarke
attention, blindness, letters as form, pictogram, Poe, Rembrandt, signatures, writing
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Trees: Pinus sylvestris
Marcus Maeder
bioacoustics, data sonification, Ecology, ecophysiology, media arts, sound art
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Zum Spielen und zum Tantzen. A kinaesthetic exploration of the Bach cello suites through studies in Baroque choreography.
Tormod Dalen
Bach, Baroque dance, Body paradigm, Cello solo, Cello Suites, character, dance, dance tempo, HIP, La belle danse, melodic reduction, Taubert