JAR is based on foundations of expositionality. We publish expositions of practice as research, media-rich assemblages that gather and present material traces of artistic practice, and articulate them as original epistemic contributions. While this paradigm allows for highly complex constellations of materials, in reality, artists often choose more standardised formats. In JAR, we assume that any choice informs what can be articulated and how: not everything that can be said needs complicated rich-media engagements—this can drift into decoration and ornamentation.