Rheinberger, Hans-Jörg. (2023) Split and Splice. A Phenomenology of Experimentation. Chicago and London: The University of Chicago Press. <https://press.uchicago.edu/ucp/books/book/chicago/S/bo192229451.html>

Graciela Taquini (editora), (2023) Legado.ar. Buenos Aires: Graciela Taquini edición. Libro digital. ISBN 978-987-88-8835-4 https://www.legado.ar/libro-legado/

Michael Schwab’s recent essay ‘Contemporary Research’, published in the inaugural issue of HUB - Journal of Research in Art, Design and Society (https://i2ads.up.pt/hub), is an excellent, timely, and thought-provoking essay that resumes conceptual discussions about artistic rese

Rito, Carolina & Balaskas, Bill. (eds.) (2021) Institution as Praxis: New Curatorial Directions for Collaborative Research. Berlin: Sternberg Press. <https://www.sternberg-press.com/product/institution-as-praxis/>

Mathilde Roman (2022). Swimming with Laure Prouvost / Nager avec Laure Prouvost. Paris: Manuella Editions. Bilingual EN/FR. <https://www.manuella-editions.fr/produit/laure-prouvost/?lang=en>

Paula Kramer (2021). Suomenlinna/ / Gropius. Two Contemplations on Body, Movement and Intermateriality. Axminster: Triarchy Press.

Ignacio Nieto, Francisca García (editores), (2020) La expansión de la academia. Prácticas, procesos y problemas en la investigación artística. Santiago de Chile: Ediciones Universidad Finis Terrae. http://artes.uft.cl/escuela-artes-visuales/publicaciones

Jennie Klein and Natalie Loveless (eds.) (2020). Responding to Site: The Performance Art of Marilyn Arsem. Bristol: Intellect. <https://www.intellectbooks.com/responding-to-site>

Diane Charleson (2019). Filmmaking as Research: Screening Memories. London: Palsgrave. <https://www.palgrave.com/gp/book/9783030246341>

Joey Orr (Ed.) (2019). Inquiries. Spencer Museum of Art. [OA] https://indd.adobe.com/view/98055568-7e9a-4c3e-968e-d7b608185e25

Introduction