This is the list of titles that JAR has received for review. (Click here for the list on our Zotero group library.)
If you are interested in offering us books for review, please click here for more information.
Click here to read the JAR Network book reviews.
Andersen, Christian Ulrik, and Søren Bro Pold. The Metainterface: The Art of Platforms, Cities, and Clouds (Cambridge, Massachusetts ; London, England: MIT Press, 2018) <https://mitpress.mit.edu/books/metainterface>
➔ Click to read Yara Guasque's review [PT]
Anderson, Gemma, Drawing as a Way of Knowing in Art and Science (Bristol/Chicago: Intellect, 2019) <https://www.intellectbooks.com/drawing-as-a-way-of-knowing-in-art-and-science>
➔ Click to read Barbara Graf's review
Arlander, Annette, Bruce Barton, Melanie Dreyer-Lude, and Ben Spatz (eds.). Performance as Research: Knowledge, Methods, Impact. (London and New York: Routledge, 2018) <https://www.routledge.com/Performance-as-Research-Knowledge-methods-impact/Arlander-Barton-Dreyer-Lude-Spatz/p/book/9781138068711>
de Assis, Paulo, Logic of Experimentation: Reshaping Music Performance in and through Artistic Research, (Leuven: Leuven University Press, 2018) [OA] <https://www.oapen.org/search?identifier=1001749>
➔ Click to read Ronald Bogue's review
de Assis, Paulo, and Lucia D’Errico (eds.). Artistic Research. Charting a Field in Expansion. (London and New York: Rowman & Littlefield, 2019) <https://www.rowmaninternational.com/book/artistic_research/3-156-1315f5e0-0031-44bc-86e6-a71afe4b2367>
de Assis, Paulo, and Michael Schwab (eds.). Futures of the Contemporary. Contemporaneity, Untimeliness and Artistic Research., Orpheus Institute Series (Leuven: Leuven University Press, 2019) <https://lup.be/products/125493>
de Assis, Paulo, and Paolo Giudici (eds.). Aberrant Nupitals. Deleuze and Artistic Research 2. Orpheus Institute Series. (Leuven: Leuven University Press, 2019) <https://lup.be/products/125968>
Baldauf, Anette, and Stefan Gruber, Spaces of Commoning - Artistic Research and the Utopia of the Everyday (Berlin: Sternberg Press, 2017) <http://www.sternberg-press.com/index.php?pageId=1720>
Barboza, Amalia. Brasilien am Main: Gekreuzte Wege/encrucilhadas - performative Forschungsreisen auf den Spuren der anderen (Bielefeld: Transcript Verlag, 2019) <https://www.transcript-verlag.de/978-3-8376-4894-2/brasilien-am-main/>
Böhler, Arno, and Susanne Valerie Granzer, eds., Philosophy on Stage: Philosophie als künstlerische Forschung (Wien: Passagen Verlag Ges.M.B.H, 2018) <http://www.passagen.at/cms/index.php?id=62&isbn=9783709203002&L=0>
Borgdorff, Henk, Peter Peters, and Trevor Pinch (eds.). Dialogues Between Artistic Research and Science and Technology Studies. (New York and London: Routledge, 2019) <https://www.routledge.com/Dialogues-Between-Artistic-Research-and-Science-and-Technology-Studies/Borgdorff-Peters-Pinch/p/book/9781138343856>
Butt, Danny. Artistic Research in the Future Academy. (Bristol/Chicago: Intellect, 2017) <https://www.intellectbooks.com/artistic-research-in-the-future-academy>
Butler, Alison. Displacements: Reading Space and Time in Moving Image Installations. Palgrave Close Readings in Film and Television. Cham: Palgrave Macmillan, 2019. <https://doi.org/10.1007/978-3-030-30461-4>
Caduff, Corina, and Tan Wälchli, eds., Artistic Research and Literature (Paderborn: Wilhelm Fink Verlag, 2019) [OA]<https://brill.com/view/title/53327>
➔ Click to read Tobias Servaas's review
Cerezo, Belén. Seeing Bodies. (Edition Belén Cerezo, 2020) <https://belencerezo.com/publications/>
Charleson, Diane. Filmmaking as Research: Screening Memories. Cham: Palgrave Macmillan, 2019. <https://doi.org/10.1007/978-3-030-24635-8>
Cotter, Lucy (ed.). Reclaiming Artistic Research (Berlin: Hatje Cantz, 2019) <https://www.hatjecantz.de/reclaiming-artistic-research-7621-0.html>
➔ Click to read Leslie D. Joynes's review
D’Errico, Lucia, Powers of Divergence: An Experimental Approach to Music Performance, (Leuven University Press, 2018) [OA] <https://www.oapen.org/search?identifier=1000228>
Fischer, Philipp, Gabriele Gramelsberger, Christoph Hoffmann, Hans Hofmann, Hans-jörg Rheinberger, and Hannes Rickli. Natures of Data - A Discussion between Biologists, Artists and Science Scholars. Zurich: Diaphanes, 2020. <https://www.diaphanes.net/titel/natures-of-data-5988>
Gartmann, Thomas, and Christian Pauli, eds. Arts in Context - Kunst, Forschung, Gesellschaft. (Bielefeld: Transcript Verlag, 2020) [OA] <https://www.transcript-verlag.de/978-3-8376-5322-9/arts-in-context-kunst-forschung-gesellschaft/?number=978-3-8394-5322-3>
Haarmann, Anke. Artistic Research: Eine epistemologische Ästhetik. (Bielefeld: transcript Verlag, 2019) <https://www.transcript-verlag.de/978-3-8376-4636-8/artistic-research/>
➔ Click to read Vincent Meelberg's review
Henke, Silvia, Dieter Mersch, Nicolaj Van Der Meulen, Thomas Strässle, and Jörg Wiesel. Manifesto of Artistic Research/Manifest Der Künstlerischen Forschung. (Zurich: Diaphanes, 2020) <https://www.diaphanes.net/titel/manifesto-of-artistic-research-5962>
➔ Click to read Branka Zgonjanin's review
Hirte, Marion, Thomas Jacobsen, Julian Klein, and Martin von Koppenfels, eds., Infame Perspektiven: Grenzen und Möglichkeiten von Performativität und Imagination (Berlin: Theater der Zeit, 2015) <https://www.theaterderzeit.de/buch/infame_perspektiven/>
Ingrisch, Doris, Marion Mangelsdorf, and Gert Dressel, eds., Wissenskulturen im Dialog: Experimentalräume zwischen Wissenschaft und Kunst (Bielefeld: Transcript Verlag, 2017) <https://www.transcript-verlag.de/978-3-8376-3698-7/wissenskulturen-im-dialog/>
Jürgens, Anna-Sophie, and Tassilo Tesche, eds., LaborARTorium: Forschung im Denkraum zwischen Wissenschaft und Kunst. Eine Methodenreflexion (Bielefeld: Transcript Verlag, 2015) <https://www.transcript-verlag.de/978-3-8376-2969-9/laborartorium/>
Klein, Jennie, and Natalie Loveless, eds. Responding to Site: The Performance Work of Marilyn Arsem. (Bristol: Intellect Books, 2020) <https://www.intellectbooks.com/responding-to-site>
Lagaay, Alice, and Anna Seitz, eds., WISSEN FORMEN: Performative Akte zwischen Bildung, Wissenschaft und Kunst. Erkundungen mit dem Theater der Versammlung (Bielefeld: Transcript Verlag, 2018) <https://www.transcript-verlag.de/978-3-8376-3964-3/wissen-formen/>
Lehmann, Annette Jael, and Verena Kittel (eds.). Tacit Knowledge: Post Studio / Feminism - CalArts (Leipzig: Spector Books, 2019) <http://spectorbooks.com/de/tacit-knowledge>
Löfgren, Isabel. Satellite Lifelines: Media, Art, Migration and the Crisis of Hospitality in Divided Cities. Amsterdam: Institute of Network Cultures, 2020. <https://networkcultures.org/download/11919/>
Lorey, Stefanie. Performative Sammlungen: Begriffsbestimmung eines neuen künstlerischen Formats. Bielefeld: Transcript Verlag, 2020. <https://www.transcript-verlag.de/978-3-8376-5239-0/performative-sammlungen/>
Loveless, Natalie. How to Make Art at the End of the World: A Manifesto for Research-Creation. (Durham: Duke University Press Books, 2019) <https://www.dukeupress.edu/how-to-make-art-at-the-end-of-the-world>
➔ Click to read Jo Billows & Stephanie Springgay's review
Loveless, Natalie (ed.). Knowings and Knots: Methodologies and Ecologies in Research-Creation. (Alberta: University of Alberta Press, 2020. <https://www.uap.ualberta.ca/titles/956-9781772124859-knowings-and-knots>
➔ Click to read Jennifer Clarke's review
Luneburg, Barbara, Transcoding: From ‘highbrow Art’ to Participatory Culture: Social Media - Art - Research (Bielefeld: Transcript, 2018) [OA] <https://www.transcript-verlag.de/978-3-8376-4108-0/transcoding-from-highbrow-art-to-participatory-culture/>
➔ Click to read Pamela Breda's review
Magnusson, Thor. Sonic Writing. Technologies of Material, Symbolic & Signal Inscriptions. (New York and London: Bloomsbury, 2019) <https://www.bloomsbury.com/uk/sonic-writing-9781501313868/>
➔ Click to read Angel Alvarado Cabellos's review
Marguin, Séverine, Henrike Rabe, Wolfgang Schäffner, and Friedrich Schmidgall (eds.). Experimentieren: Einblicke in Praktiken und Versuchsaufbauten zwischen Wissenschaft und Gestaltung, (Bielefeld: transcript Verlag, 2019) [OA] <https://www.transcript-verlag.de/media/pdf/2e/c8/71/oa9783839446386.pdf>
Marino, Luciana et al. Un libro de actividades. Experiencias en primera persona sobre la educación en el arte. (Buenos Aires: edición de la autora, 2019) <https://unlibrodeactividades.wixsite.com/info>
➔ Click to read Mariela Yeregui's review
Mersch, Dieter, Sylvia Sasse, and Sandro Zanetti, eds. Aesthetic Theory. (Zurich: Diaphanes, 2019) <https://www.diaphanes.net/titel/aesthetic-theory-5751>
Michelkevicius, Vytautas, Mapping Artistic Research. Towards Diagrammatic Knowing. (Vilnius: Vilnius Academy of Arts Press, 2018) <http://leidykla.vda.lt/lt/leidinys/1287594017/mapping-artistic-research-towards-diagrammatic-knowing>
Prior, Ross W. (ed.). Using Art as Research in Learning and Teaching. Multidisciplinary Approaches across the Arts. (Bristol/Chicago: Intellect, 2018) <https://www.intellectbooks.com/using-art-as-research-in-learning-and-teaching>
Rainer, Lucia, On the Threshold of Knowing: Lectures and Performances in Art and Academia (Bielefeld: Transcript Verlag, 2017) <https://www.transcript-verlag.de/978-3-8376-3804-2/on-the-threshold-of-knowing/>
Salgado Correia, Jorge, and Gilvano Dalagna. A Model for Artistic Research. Cahiers of Artistic Research 3. (Aveiro: UA Editora, 2020) [OA] <http://hdl.handle.net/10773/28182.>
Sass, Hartmut Von, ed. Between / Beyond / Hybrid - New Essays on Transdisciplinarity. Zurich: Diaphanes, 2019. <https://www.diaphanes.net/titel/between-beyond-hybrid-5782>
Schindler, Johanna, Subjectivity and Synchrony in Artistic Research: Ethnographic Insights (Bielefeld: Transcript Verlag, 2018) <https://www.transcript-verlag.de/978-3-8376-4447-0/subjectivity-and-synchrony-in-artistic-research/>
➔ Click to read Manuel Ángel Macía's review
Schwab, Michael, ed., Transpositions. Aesthetico-Epistemic Operators in Artistic Research, Orpheus Institute Series (Leuven: Leuven University Press, 2018) [OA] <https://www.oapen.org/search?identifier=1000226>
➔ Click to read Theodor Barth's review
Sinner, Anita, Rita L. Irwin, and Jeff Adams, eds., Provoking the Field: International Perspectives on Visual Arts PhDs in Education (Bristol/Chicago: Intellect, 2019) <https://www.intellectbooks.com/provoking-the-field>
Sixto, Rita, and Usoa Fullaondo (eds.). Swimming Pool. Artistic Practice-Based Research. Manners and Exercises/Piscina. Investigación y Práctica Artística. Maneras y Ejercicios (Bilbao: Ediciones laSIA, 2019) <http://www.lasiaweb.com/wp-content/uploads/2019/05/Piscina-4.pdf>
Slager, Henk, The Pleasure of Research (Ostfildern: Hatje Cantz, 2015) <https://www.hatjecantz.de/the-pleasure-of-research-6412-1.html>
➔ Click to read José Quaresma's review [PT/EN]
Smith, Marquard, ed. Research: Practitioner, Curator, Educator. (Vilnius: Vilnius Academy of Arts Press, 2020)
➔ Click to read Dominique Lämmli's review
Tyradellis, Daniel. Sich ausdrücken. Zur Immanenz der Kunst. Zurich: Diaphanes Verlag, 2020. <https://www.diaphanes.net/titel/sich-ausdruecken-zur-immanenz-der-kunst-6345>
Vennemann, Nicole. 2018. Das Experiment in Der Zeitgenössischen Kunst: Initiierte Ereignisse Als Form Der Künstlerischen Forschung (Bielefeld: Transcript Verlag, 2018) <https://www.transcript-verlag.de/978-3-8376-4624-5/das-experiment-in-der-zeitgenoessischen-kunst/>
Welch, Shay. The Phenomenology of a Performative Knowledge System: Dancing with Native American Epistemology. Cham: Palgrave Macmillan, 2019. <https://doi.org/10.1007/978-3-030-04936-2>
Zobl, Beatrix, and Wolfgang Schneider. COMPANY. Fotografien Und Fragmente Über Das Arbeiten Photographs and Fragments on Working. Edition Angewandte. (Berlin and Boston: De Gruyter, 2019) <https://www.degruyter.com/view/product/491550>