JAR25 represents JAR’s silver anniversary in terms of issues. With our inaugural issue 0 in 2011, it also closes JAR’s first ten years of publishing artistic research. We have the sense that during this time, media rich academic publications have become more acceptable and that the role of text can be much more openly negotiated, leading to flat media hierarchies.
Here at JAR we are somewhat obsessed with the importance of articulation. Rather than asking what art is and what knowledge is, we are concerned with the processes through which ‘art’ and ‘knowledge’ become qualified. Although it might well be true that discourse has been developing in large historical cycles, we are acutely aware that those cycles have never properly represented what has been happening on the ground – neither in terms of art history, nor criticism, nor epistemology.