P.O.V. (‘Point of View’) es una propuesta que redefine el concepto de intérprete extendido (‘extended performer’) desde una perspectiva interdisciplinaria. Este enfoque combina música electrónica, gafas de realidad virtual, video y redes sociales como elementos integrales de la performance. A través de esta interacción multimedia, no sólo se busca amplificar el impacto sensorial de la obra, sino también fomentar una reflexión crítica sobre cómo la tecnología y las redes sociales moldean la percepción y la identidad en la contemporaneidad.

Virtual reality and spatial audio technologies bring about a new paradigm in the fields of architecture and music. Works developed in these media produce experiences beyond what is perceivable in the physical world, extending therefore our capacities to design/compose as well as our sensibilities for spatial and temporal perception. By operating in the spatiotemporal domain, these new media, question our disciplinary understandings of space and time as well as their aesthetics, requiring an altogether new post-disciplinary conception of design/composition and experience.

Absurd (derived from surdus, or deaf, in Latin): that which cannot be heard or is contradictory to reason.This artistic research project questions the ways we work with sound, using a methodology derived from the absurd as a tool for innovation. The scientific roots of sound as a physical phenomenon are rarely disputed, whether by sound artists, sound designers, sound technicians, or even composers.