¿Existe un enfoque, principio o disposición de la investigación artística que dé unidad a los elementos heterogéneos que la conforman (diferentes procedencias disciplinares y enfoques epistemológicos) y le confiera carácter propio? Ese proceder, se propone aquí, es el especulativo. Desde la danza y mediante ejercicios coreográficos, se quiere hallar descripción de lo que sería una especulación estética, aquella que consideraría al acto de creación como parte del proceso del pensar.

We are interested in exploring the types of futures that are preferable for us all. Discussions of preferable futures can be made difficult by a lack of understanding of the lived experience of that possible future. We like to think that some wise person once said: “I hear futures and I forget. I see futures and I remember. I do futures and I understand.” In order to explore scenarios of possible futures, we thus look into experiential modalities. This exposition examines our Danube Clean Cargo project.

This exposition proposes a method of artistic research that uses (and disobediently misuses) techniques of reconstruction as a mode of performative, artistic, and architectural invention. Our speculative notion of reconstruction challenges inherited disciplinary notions of historiography and simultaneously functions as a propositional and generative tool. The exposition revolves around the discussion of a research and performance project entitled Jakob K., which reconstructs the works of fictional Bauhaus choreographer and gymnastics teacher Jakob Klenke (1874–1941).