Running Freight on the River. A Clean Cargo Prefiguration

Tim Boykett & Tina Auer

We are interested in exploring the types of futures that are preferable for us all. Discussions of preferable futures can be made difficult by a lack of understanding of the lived experience of that possible future. We like to think that some wise person once said: “I hear futures and I forget. I see futures and I remember. I do futures and I understand.” In order to explore scenarios of possible futures, we thus look into experiential modalities. This exposition examines our Danube Clean Cargo project.

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Heterotopia of the Practice Room: Casting and Breaking the Illusion of Tristan Murail’s Tellur for Solo Guitar

Maarten Stragier

A combination of highly unusual extended playing techniques with open intabulated notation makes the solo guitar work Tellur altogether unique in Tristan Murail’s catalogue. When placed in the broader discursive context of Murail’s compositional philosophy, this unique configuration of elements causes a quandary. The composer aims to integrate “the totality of sonic phenomena” into his compositional language, and within this context he maintains a traditional view of musical authorship.

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