Heterotopia of the Practice Room: Casting and Breaking the Illusion of Tristan Murail’s Tellur for Solo Guitar

Maarten Stragier

A combination of highly unusual extended playing techniques with open intabulated notation makes the solo guitar work Tellur altogether unique in Tristan Murail’s catalogue. When placed in the broader discursive context of Murail’s compositional philosophy, this unique configuration of elements causes a quandary. The composer aims to integrate “the totality of sonic phenomena” into his compositional language, and within this context he maintains a traditional view of musical authorship.

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keywords: OPEN EXPOSITION