Within a rapidly changing media landscape, light remains an intrinsic and potentially expressive aspect of moving imagery, regardless of the shape, form and resolution that specific capture and display devices might take. The practice of light in moving imagery is typically considered through an arrangement of sources, filters and modifiers that sculpt the aesthetic appearance of a two-dimensional frame and is often studied in relation to mainstream Hollywood films.

The exposition of practice-based research is focused on using moving image installation to reflect upon our relationship to architecture. Through a site-specific practice, existing architectural elements are re-framed, re-focused and projected back onto themselves