The idea of creating a video work exploring the question of how an industrial robotic arm would see a handmade product is used as a pretext to generate a meeting point for different local agents in the framework of the production of an art project titled 'Rodar y Rodear' ('To Shoot and to Surround') (2013)

The exposition functions as a critical reflection on A Work on Progress, a practice-as-research performance/installation. Aiming to provide an alternative to the commodification of theatre, the project explores the possibility of moving beyond postmodern