This exposition presents the artistic research project ‘Exploring the Efficiency of Artistic Practices within the Context of their Interaction’, which examines the ways in which artistic practices interact with one another. It understands practices as the organised media and structures through which a researcher is able to initiate and continue the process of environmental constitution, the embodied process through which the world emerges as meaningful for and with us. The project is situated within the context of a phenomenological approach to consciousness and sense-making.