Based around my catalogue essay for Yu-Chen Wang’s exhibition ‘Nostalgia for the Future’ (Taipei Fine Art Museum and Centre for Chinese Contemporary Art, Manchester, 2016), I consider how exhibition narratives are formed. As an experiment in ‘curatorial writing’, the essay draws from the evolution of science fiction. The method is discussed as reflective rather than explanatory of the artist’s practice.
Alternatively you can sign up for SAR newsletter and announcements service. Via this email service you can receive information on SAR events, JAR publications and other information deemed relevant by SAR.