The expanded cinema performance ‘Palestinian Wildlife Series’ parallels posthuman and postcolonial circumstance, using appropriated imagery of African animals shot directly from a television set in Palestine.Chronicling the experimentation and process...
http://doi.org/10.22501/jar.135120

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This work is an attempt to combine the fields of architecture, critical theory, and literature. It deals with the question of how an architectural artefact develops its meaning within a larger discourse through its image, and how this relates to the everyday life of the physical space of the artefact...
http://doi.org/10.22501/jar.211221

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This exposition deals with narcissism, narrativity, self-portraiture, and photography. It illustrates a practice-based research project instigated in 2007 that aims to decode and recover narcissism as a useful...
http://doi.org/10.22501/jar.208783

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This exposition considers the use of mycology and chance operation as a method and material for arts-based research. The exposition details a series of mushroom hunting excursions designed to engage four artist-teachers in collaborative...
http://doi.org/10.22501/jar.139420

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The recent enthusiasm for gestures of hospitality in contemporary art promises relief from the individualising forces of neoliberal capitalism and the professionalised hierarchies of the art world...
http://doi.org/10.22501/jar.228399

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'Place setting: notes on Red76's Occupy Yr. Home' is a collaborative piece of writing between Heath Schultz and Sam Gould, primary organiser of the artist group Red76. The piece doubles as a critical review of the Red76 project 'Occupy Yr. Home' ...
http://doi.org/10.22501/jar.154398

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